{"id":1947,"date":"2021-12-03T13:15:44","date_gmt":"2021-12-03T11:15:44","guid":{"rendered":"https:\/\/raplakunst.eu\/?p=1947"},"modified":"2026-09-30T20:17:04","modified_gmt":"2026-09-30T18:17:04","slug":"aivar-tonso-a-resomatic-still-life","status":"publish","type":"post","link":"https:\/\/raplakunst.eu\/?p=1947&lang=en","title":{"rendered":"Aivar T\u00f5nso A RESOMATIC STILL LIFE"},"content":{"rendered":"<p><strong>Aivar T\u00f5nso &#8220;A RESOmatic Still Life&#8221;<\/strong><br \/>\n<strong>Dec 4-19, 2021<\/strong><\/p>\n<p>Sound artist Aivar T\u00f5nso combines the practice of spatial sound with \u00a0the expansion \u00a0of electronic synthesizer by different resonating materials. He is interested in the experience of movement within a spatially dispersed auditory artwork. \u00a0Instead of one fixed listening point, his approach is concerned with discovering sonic events at different points in space. \u00a0While in his site-specific sound environments the visuals are contributed by the naturally occurring surrounds, his works in gallery settings become enhanced by the sculptural properties of materials.<\/p>\n<p>Aivar has been pursuing this approach ever since the first installation of the series &#8220;A Garden of Divergent Sounds&#8221; at the Tartu Art Hall. By now, he has reached a milestone where materials begin to affect the choice of sounds. T\u00f5nso feels this is a liminal area, where care must be taken to avoid a situation where the visual aesthetics and sculpturality start to dictate and constrain the potential of sound in its creation of imaginary worlds in the listener&#8217;s mind. What remains most important is what happens at the meeting point of material and sound; in this gray area, a no man&#8217;s land, matter goes through excitement on an atomic level, and electronic sound gets transformed; uncontrolled processes take place &#8211; from the resistance of matter to the birth of new r(i)esomatic divergences.<\/p>\n<p>For this exhibition, a 14-channel sound environment has been created using materials such as aluminum honeycomb panels, honeycomb cardboard, laminated plastic, reboard panels, resonance speakers, and more than 200 metres of audio cable.<\/p>\n<p>Assistance was provided by Raivo Raidvee (installation), Maria Aua<br \/>\n(video) and Jaan Evart (graphic design). A big thanks also to Timo<br \/>\nToots, whose earlier collaboration gave rise to a number of ideas present here.<\/p>\n<p><strong>Aivar T\u00f5nso<\/strong> is a \u00a0musician, sound artist and an interdisciplinary<br \/>\ncultural event curator. He&#8217;s known for electronic music projects<br \/>\nH\u00fcpnosaurus, Kulgurid and Kismabande. Curated projects including<br \/>\nHea Uus Heli festival and Ulmeplaadid records company. \u00a0Creatively, he is interested in site-specific installations of spatial sound. He has furthered this interest with the\u00a0\u00dcle Heli festival, solo<br \/>\nprojects, and MA studies at the EAA.<\/p>\n<p><strong>Recent sound projects:<br \/>\n<\/strong>2021 exhibition &#8220;Garden of Divergent Sounds 2&#8221; with Raul Keller, Taavi Suisalu,\u00a0Katrin Enni and Sten Saarits (ARS Project Space)<br \/>\n2021 exhibition &#8220;Garden of Divergent Sounds&#8221; with Timo Toots, Eike Eplik and\u00a0Tencu (Tartu Art Hall)<br \/>\n2021 film music for Maria Aua&#8217;s documentary &#8220;Rauaniit&#8221; and Ivar Murd&#8217;s\u00a0experimental film &#8220;K\u00fcte&#8221;<br \/>\n2020 12 channel sound piece for the exhibition &#8220;Slow \u00a0Light&#8221; (RCCCA)<br \/>\n2019 site-specific \u00a0sound piece &#8220;Nordic Portal&#8221; (TAB 2019 \/Musicity<br \/>\nTallinn)<br \/>\n2019 site-specific \u00a0sound performance &#8220;Helik\u00fcte&#8221; with Mihkel Tomberg<br \/>\n(VKG viewing platform \/ festival M\u00e4gede H\u00e4\u00e4l)<br \/>\n2018 sound installation &#8220;Mirage 2.0&#8221; (Tartu Light 2018 festival indoor exhibition Vacuum as a Way of Thinking)<br \/>\n2018 sound installation &#8220;SEGA mets&#8221; (Maajaam, international techno art\u00a0festival &#8220;Wild Bits&#8221;)<br \/>\n2018 exhibition &#8220;Cannot Believe the Eyes&#8221; with Maria Aua (Virtsu, T\u00f6\u00f6stuse st popup\u00a0gallery, EV100 art programme)<br \/>\n2017 Tartu Arch Bridge first ever light and sound design (with Sten Saarits,\u00a0Martin R\u00e4stas, Liisi K\u00fcla and Roman-Sten T\u00f5nissoo)<br \/>\n2017 sound installation &#8220;Heart of Stone&#8221; (Museum of Stoneworking, Culture Night 2017)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aivar T\u00f5nso &#8220;A RESOmatic Still Life&#8221; Dec 4-19, 2021 Sound artist Aivar T\u00f5nso combines the practice of spatial sound with \u00a0the expansion \u00a0of electronic synthesizer by different resonating materials. He is interested in the experience of movement within a spatially dispersed auditory artwork. \u00a0Instead of one fixed listening point, his approach is concerned with discovering &hellip; <a href=\"https:\/\/raplakunst.eu\/?p=1947&#038;lang=en\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Aivar T\u00f5nso A RESOMATIC STILL LIFE<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":1920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63],"tags":[],"class_list":["post-1947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"_links":{"self":[{"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/posts\/1947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1947"}],"version-history":[{"count":7,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/posts\/1947\/revisions"}],"predecessor-version":[{"id":3214,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/posts\/1947\/revisions\/3214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=\/wp\/v2\/media\/1920"}],"wp:attachment":[{"href":"https:\/\/raplakunst.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/raplakunst.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}