Exhibitions

In Unknown Waters

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25.10. – 17.11 2024

Curators Riin Pallon and Triinu Soikmets have invited 9 painters to participate in an exhibition that sees painting as a journey through soulscapes; diving into the deep waters of the subconscious, wandering the fields of emotion. Shadows grow darker, while bright light makes you feel like the Sun.

Participants: Miina Barrera Pinochet,  Manfred Dubov, Eleriin Ello, Jenny Grönholm, Kalli Kalde, Riin Pallon, Leho Rubis,  Marta Stratskas, Maria-Kristiina Ulas.

Events

New lighting – Stage 2

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In July- August 2024, we fixed the power cables and built a network of 3-phaselighting tracks.

The system was engineered by Meelis Tähepõld. Construction work was done by Agur Tähepõld and Meelis Tähepõld.

We extend our gratitude to our sponsors: Meelis Tähepõld, Erki Kannus, ERCO, Kumu Art Museum.

Photos: Tiina Kõrtsini

Events

Installation of new lighting at the RCCCA

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Our art centre has finally begun the installation of a new lighting system. On July 7th and 8th, our community came together to work on the ceiling.

The project was financed by the Civil Society Foundation, and mentored by Meelis Tähepõld. Project manager: Kairi Orgusaar.

Work done by: Maiu Albo, Merle Kannus, Erki Kannus, Kati Kerstna, Kairi Orgusaar, Riin Pallon, Avo Päädam, Editha Salm, Olga Sokk, Ave Tislar, Eteri Tõlgo, Siret Varimõis.

Photos by Tiina Kõrtsini, Ave Tislar, Meelis Tähepõld, Maiu Albo.

Coming soon, Exhibitions

Escape – Room – Landscape

Exhibition at the Rapla County Centre for Contemporary Art
23.Nov- 15.Dets. 2024, opening November 22th, at 18.00.
Participating artists:
Helena Tuudelepp EST
Anna Steinhäusler AUS
Margit Terasmees EST
The exhibition becomes a stage for a newly created landscape, born from the tuning of earthly materials.
The fragile and impermanent dimension is expressed through paper clay, while wood-fired objects contrast this with their claim for eternity. Just like we, as creators, seek our strength and acknowledge our fragility, materials also proceed from one state to another, acknowledging the supremacy of Nature’s rhythms. In different perspectives, dynamics are created by both direct and perceived allusions to figurativeness: someone has left their reflections here, somewhere we find long pauses, silence and tragedy.  It is a poetic, composed landscape, inspiring longing, a desire to escape to, to be part of.
Helena Tuudelepp graduated in 2018 with Master’s degree at the Ceramics Department of EAA. She is a member of the Estonian Association of Ceramists, has participated in various group and personal exhibitions since 2015. In 2016, she was bestowed the Ilmar Palmi Award of the Ceramics Department of the Estonian Academy of Arts,  as well as the 2018 Young Applied Artist Award for her TASE18 thesis exhibition work.

Helena’s favorite material is paper clay, through which she observes the transformation of the material, its dynamics during the drying process and the development of unique forms and details. She does not fire her paper clay works and reuses the material in her next projects.

Anna Steinhäusler is an Austrian artist who works in the fields of painting, ceramics and restoration. In addition to completing her degree in painting at the University of Applied Arts in Vienna, she studied for a year at the Department of Fine Arts at the University of Newcastle in England. Her paintings and sculptures have been part of national and international solo and group exhibitions, art fairs and collections. Her desire to work as a painter in the field of ceramics deepened through her participation in wood firing workshops. She first got to know this ceramic firing technique in 2017, by participating in the Kohila Symposium in Estonia. This was followed by further training at international ceramics centres such as Guldagegaard in Denmark, at the Centre of Contemporary Ceramics in La Borne, France and the International Ceramics Studio in Kecskemét, Hungary. Anna’s figurative artworks are characterised by her decision to depict subjects in a connected way – for example, showing networks of relationships instead of isolated people. She sees the medium of wood firing as an important feature of her art, utilizing it to reawaken a fascination for nature and life in relationships.
Margit Terasmees is a designer and ceramist. She graduated from the Tartu School of Arts, majoring in textile art, and EAA’s design department, BA. She’s a member of the Estonian Ceramists’ Association.
She has participated in various group exhibitions since 2015 with both her drawings and sculptural forms. Margit has improved her knowledge at the International Ceramics Centers in Guldagergaard, Denmark and Kecskemét, Hungary, as well as at the Kuu Glass and Ceramics Center in Mallusjoki, Finland. In 2024, she participated in the international symposium of wood-fired ceramics in Kohila.  Margit specialises in creating mainly functional ceramics, but also sculptural forms, in wood-fired kilns. Some important aspects of her work include managing the synergy of fire and ash during the long firing in the wood kiln, as well as the enhancing and tuning of the material. She is dedicated to testing and developing various ceramic bodies and glazes suitable for wood firing, and she conducts cooperative firings in various wood kilns in Estonia. In 2019, she laid the foundations for her own wood-burning kiln in Linnaaluste, Raplamaa.
Materials and techniques
Paper clay
Helena Tuudelepp: Most of the material used for the creation of my exhibition works – paper clay – does not go through the firing process; the details remain at a stage that allows the material to be reprocessed and reused. In my works, I focus on the stages that take place between the drying of the material and the moment when it is reunited with the original mass.
Fusion, adaptation, pause, dissolution – stages that in the creative process form a movement; one that I would call a kind of transition of the material – going from one state to another. If part of a mass gets separated and turned into a detail, the separation is not final, but only an intermediate phase. When the detail dissolves into the mass, the detail merges back into its origins, giving me the opportunity for the creation of new output. I’m working and communicating with the material and/or myself – looking for strength, acknowledging fragility, attempting to find an equilibrium, relentlessly wandering in the landscapes of the soul.
Wood-firing
Margit Terasmees: Wood-firing of ceramics is an ancient art of taming fire, which contains both mysticism and mystery as well as cooperation with the forces of nature.
An oxygen-poor atmosphere is created in the wood-heated kiln, which, in contact with the metal oxides in the ceramic body and glazes, brings out the unique essence of the material. The fired surface is like a 3-dimensional canvas painted by the fire flowing in the kiln and the flying ashes. The authenticity of this technique touches the creator deeply; in its presence, one can feel one’s own insignificance, because not all items come out of the kiln as winners.
Anna Steinhäuslser: Through wood firing, people enter into a dialogue with Nature. The kiln is heated with wood and a long flame takes the resulting wood ash on its trajectory through the kiln, touching the receptive clay bodies along the way.
During long firings, wood ash settles on top of the sculptures like constantly falling snow. In the intense heat, the ash reacts with the clay and a polychrome glass skin grows on the clay bodies. These colours are born from the oxides of metals that trees have absorbed from the Earth. At the end of the firing process, one encounters ceramics that have become part of Nature. With their complex surfaces, which can be constantly explored anew, the ceramic pieces are witnesses to Life, which shows itself in multifaceted expression and develops in its relationships. s
Sponsors
Cultural Endowment of Estonia

Anna Steinhäusler www.annasteinhaeusler.com
Helena Tuudelepp www.helenatuudelepp.com
Margit Terasmees

Events

Kirikuju. Meeting the authors

On October 12, at 14.00, just before the closing, one of the authors of “Kirikuju” exhibition, Mathura, will meet the audience, casting some light on the backstory of this exhibition,  and exposing some details about the series of images on display. There will also be poetry recitings,  a showing of the film by David Spittle, and another, a recording of Steven J Fowler’s performance in London.
Exhibitions

Mathura & S. J. Fowler. Kirikuju

Kirikuju, an exhibition at Rapla Contemporary Arts Centre, Estonia, opening September 20th, 2024.

A collaborative exhibition by Mathura and SJ Fowler, from Estonia and the UK, respectively, is treading the borderland of the visual and the poetic, figurative and verbal. Employing asemic writing as well as other novel forms of artistic expression, it calls to examine the presence of meaning even in an unexplained world. Can the visual form of a word change its meaning? Is poetry an art of senses rather than words? What do cave paintings tell us in a digitalizing world? These are some of the questions posed by the exhibition.

A short film by British visual artist David Spittle, displayed at the exhibition,  documents the work in process and explores its starting points.

Open at the Rapla County Centre for Contemporary Art (Tallinna mnt 3b, Rapla, 3rd floor) from Sept 21 to Oct 13. Tue-Fri 15-18, Sat-Sun 12-15.

Artist talk: Oct 12. at 14.00.

Thanks to: Cultural Endowment of Estonia, Rapla Commune.

 

 

 

Exhibitions

Enchanted by Great Art

Copying is one of the methods by which painters learn their craft. Students of the RCCCA painting course have created copies of great artworks, including authors such as Leonardo da Vinci, Jüri Arrak, Vincent Van Gogh, Navitrolla,  Konrad Mägi and others.
The exhibition also features a number of original artworks.
Participants: Maiu Albo, Mikk Allas, Mai Klemmer, Eha Koit, Avo Päädam, Editha Salm, Olga Sokk, Ave Tislar, Eteri Tõlgo ja Siret Varimõis.
Exhibition design: Eteri Tõlgo
Poster design: Markus Orgusaar
Open 04.05 – 19.05.2024.
Events

Riburadamisi – In Mother Tongue

On Mother Tongue Day, March 17th, 3pm, Ly Ehin and Valter Uusberg will discuss Estonian poetry and song at the RCCCA.

The discussion is followed by a concert, performed by Sten-Olle Moldau, Riinimanda Studio Youth Choir, August 07 mixed choir.

Conductors: Helen Allikvee, Ele Andok, Pärt and Urve Uusberg.

Events

Meeting with Erki Kannus

Sunday, Feb. 18, at 13.00 artist Erki Kannus meets the audience at his solo exhibition “ROUTE 66”. A short concert follows the discussion, using instruments that are part of the exhibition.

Events, Exhibitions

Conflations

CONFLATIONS
Simone Fezer,/ Kati Kerstna / Kai Koppel
Open   March 8-31, 2024

A Conflation is defined as the process of uniting or blending separate objects, texts or ideas.

The world is made up of various opinions, viewpoints, cultures, races, religions, all mixing with each other, and it can sometimes look like there’s not enough space for them all. In tight situations, we perceive that our own point of view might not be the only valid one. To keep existing, one has a choice to encapsulate in one’s own bubble, or to react with violence, or, perhaps, to accept diversity.

Differences can enrich and enliven our world. An attempt at understanding can leave us perplexed, curious, or pleasantly surprised. It is a freeing sensation when we realize that the world is not a monoculture.

In this exhibition, we display the differing layers, analyze their past and future, interactions and fusions.

Part of the programme of the 6th Women’s Nights Film Festival in Rapla.
Opening March 7th at 19.00, with a performance by Simone Fezer.

Simone Fezer           https://simonefezer.com/
Kai Koppel                http://kaikoppel.ee/
Kati Kerstna             http://katikerstna.ee/

 

 

 

Exhibitions

Erki Kannus: Route66

Erki Kannus
ROUTE66

Feb. 3-25, 2024 at the RCCCA

Erki Kannus (1958) celebrates his 66th jubilee with this exhibition, displaying  both very recent and very early paintings, drawings and objects.

The artist describes how the exhibition came together:
“In Spring 2023, I re-bought an old print of my own creation, that had been in the collection of Matti Milius, dissolved after the collector’s death. This is one of my earliest works ever displayed, from 1977 or ’78, and the only surviving work from that time. Back then, we used to be a group of art school graduates, enchanted by Constructivism and Suprematism.  Leonhard Lapin was our  great friend and mentor.
I have returned to those themes now and again, and now, finding inspiration from my past, I painted a whole new series.

I’m also a lifelong fan of Surrealism and the DADA movement. I’ve tried to understand the state of mind behind the creation of these works, to see what feeds the imagination. I’ve tried to find my own surreal visions, since I find this world relatable,  attractive, and safe. Sometimes, I can make it work.

Open  03. – 25.02. 2024
Tue-Fri 15.00 – 18.00
Sat-Surn12.00 – 15.00
Mon closed

Rapla County Centre for Contemporary Art